General Admission: $15 (+$1.50 Belcourt Preservation Fee)
*Tickets go on-sale Friday, December 14 at 10:00am
Part of the key to Holly Williams’ success as a singer-songwriter is that it’s never been hermission to try and live up to the legacy cast by her famous and prolific father and grandfather - Hank Jr. and Sr., respectively - nor has she spent a lot of time trying to live it down. The respect that Holly has garnered as an artist over the course of many years spent building an international fan base, and the release of two acclaimed albums, 2004’s The Ones We Never Knew (Universal South) and 2009’s Here With Me (Mercury Records), has come on her own terms, based on her own sound. Indeed, to paraphrase Freud, sometimes a last name is just a last name.
The Highway finds the 31-year-old artist putting a distinctly personal spin on universal themes like love, loss, conflict, family and desire. The Highway is heavy with references to memories of simpler times and beloved relatives; ruminations on lives destroyed by addiction; our shared need to love and be loved; and an earnest longing for the road.
Holly spent nine months recording The Highway, which she self-financed and will release independently. Just because she went independent on this one doesn’t mean she was by herself. Throughout the process, the Nashville-based songwriter was surrounded by a hyper-talented supporting cast, including co-producer Charlie Peacock (The Civil Wars), her multi-instrumentalist husband Chris Coleman, bassist Glenn Worff (Mark Knopfler), pedal steel guru Dan Dugmore (James Taylor, Stevie Nicks), and friends like Dierks Bentley, Jakob Dylan, Jackson Browne and Gwyneth Paltrow who all make guest appearances on the record.
Offering up a heaping helping of alternative rock with a healthy dose of timeless Americana influence, Anderson East is a dynamic artist who fuses modern sound with the rich undertones of his southern roots.
There was, “a lot of preachin’, a lot of prayin’ & a lot of piano playin’.” That best describes Anderson’s early years as a Southern Baptist Pastor’s grandson. Add the sweet sound of a gospel singing father, coupled with the big dreams that only a small town will inspire and you get a young man full of emotion, depth, curiosity, and song. Although profoundly influenced by the sounds of his childhood, Anderson East knew early on that his musical landscape was much broader than his conservative upbringing and embarked on a pursuit that would encompass both reverence and rebellion. With lyrics exploring timeless and thought provoking subjects, vocals that both soothe and mend the most human urges to love, hate, cry and lose control, and a palette of musical instruments best described in the art world as mixed media, Anderson East offers the listener something new to the ear yet familiar to the spirit. Bearing an unforgettable voice that allows you to explore the rich emotions of his music, Anderson’s vocals range from soulful cries to haunting whispers, and paint a vivid picture of his lyrics. Described as taking only the best qualities from Otis Redding, Ray LaMontagne, Ryan Adams, and John Mayer, Anderson’s voice is a lovely blend of unique inflection and delivery that creates a sound of its own.