Kate Winslet and Saoirse Ronan have both shown exceptional range, depth and intensity on screen, but AMMONITE reveals new colors. In this story of a visionary scientist and the young woman who changes her life, these two stars deliver performances of raw electricity.

Mary Anning (Winslet) devotes her days on southwest England’s Dorset coast to finding and cataloguing fossils of the extinct and beautiful sea creatures called ammonites. In the early 19th century, this is no work for a woman, and no scientific society will have her. So Mary toils alone, even as male scientists visit to study and take credit for her work. When one visitor brings along his grieving wife, Charlotte (Ronan) — and then abandons her in Dorset to return to London — the two women have no one to turn to but each other.

Francis Lee’s follow-up to his award-winning GOD’S OWN COUNTRY shows the same talent for powerful love stories in harsh environments. The rocky, windswept seaside of Lyme Regis is palpable here. Lee directs with a similar brisk urgency, cutting to the core of Mary’s anger and Charlotte’s pain, charting the gathering emotional storm that throws them together. Lee films physical passion without a shred of prudishness. He, Winslet and Ronan forego period gloss for a portrait of desire that feels so much more true. And in showing the full gamut of Mary’s astringent brilliance and unvarnished lust, Winslet delivers one of the very best performances of her career. (Synopsis from the 2020 Toronto International Film Festival)

“5 Stars: A slow-burn love story...The contained, potent performance is one of Winslet’s best.” —Caryn James, BBC

“Like Céline Sciamma’s recent PORTRAIT OF A LADY ON FIRE, [it] is a passionate love story nourished by the salty sea air and the blissful absence of men; it’s also a sharp reflection on how the artistic, scientific and intellectual contributions of women have been systematically written out of history… Ronan and Winslet are beautifully matched.” —Justin Chang, Los Angeles TImes

The Belcourt Theatre does not provide advisories about subject matter or potential triggering content, as sensitivities vary from person to person.

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