AMADEUS

Showings

The Belcourt Sat, Feb 22, 2014 1:30 PM
The Belcourt Sun, Feb 23, 2014 3:45 PM
1966 Hall Sat, Jun 9, 2018 11:30 AM
1966 Hall Sun, Jun 10, 2018 7:10 PM
1925 Hall Fri, Jul 26 1:50 PM
1925 Hall Fri, Jul 26 8:00 PM
Introduction from Luke Henry, Nashville Symphony
1925 Hall Sat, Jul 27 1:50 PM
1925 Hall Sat, Jul 27 8:00 PM
1925 Hall Sun, Jul 28 1:50 PM
1925 Hall Sun, Jul 28 8:00 PM
1966 Hall Mon, Jul 29 3:50 PM
1925 Hall Mon, Jul 29 7:45 PM
Introduction from Belcourt's Tom Eisenbraun and musician/educator Alex Robinson
1966 Hall Tue, Jul 30 3:50 PM
1925 Hall Tue, Jul 30 7:45 PM
1925 Hall Wed, Jul 31 3:50 PM
1925 Hall Thu, Aug 1 4:50 PM
Manzler/Webb Screening Room Sat, Aug 3 3:35 PM
1925 Hall Sun, Aug 4 3:35 PM
1925 Hall Mon, Aug 5 6:20 PM
1925 Hall Tue, Aug 6 6:20 PM
1966 Hall Wed, Aug 7 6:20 PM
1925 Hall Thu, Aug 8 3:50 PM

Description

Part of Weekend Classics and Music City Mondays

One Week Run – New 40th Anniversary 4K DCP Restoration — Miloš Forman directed Peter Shaffer’s screenplay, based on his Tony Award–winning play, about the 18th century rivalry between journeyman court composer Antonio Salieri (F. Murray Abraham in an Academy Award–winning tour-de-force performance) and his rival, young upstart Wolfgang Amadeus Mozart (fellow Best Actor nominee Tom Hulce). Saul Zaentz’s lavish production features opulent period details, while Shaffer’s witty script speaks eloquently about the challenge of art while leaving room for Mozart’s gorgeous music to dominate. The film earned 11 nominations and its 8 Oscar wins include Best Picture, Art Direction, Costume Design, Directing, Makeup, Sound, and for Shaffer’s adapted screenplay.

New 4K Restoration courtesy of the Saul Zaentz Co. and Academy Film Archive.

“A gloriously colorful confection of music, theater and emotion.” ––Moira MacDonald, Seattle Times

“Decorated with a powdered-sugar sweetness and creamy lavishness unseen since the days of Josef von Sternberg, and performed by an eager to please, rootin'-tootin' American cast that would be comfortable in Oklahoma!, AMADEUS is junk food par excellence.” ––Jay Scott, Globe and Mail

“This is Mozart as an eighteenth-century Bruce Springsteen, and yet (here is the genius of the movie) there is nothing cheap or unworthy about the approach.” ––Roger Ebert, Chicago Sun-Times (Sep 19, 1984)