TRIANGLE OF SADNESS

Showings

1925 Hall Fri, Oct 21, 2022 3:00 PM
1925 Hall Fri, Oct 21, 2022 6:00 PM
1925 Hall Fri, Oct 21, 2022 9:00 PM
1925 Hall Sat, Oct 22, 2022 12:00 PM
1925 Hall Sat, Oct 22, 2022 3:00 PM
1925 Hall Sat, Oct 22, 2022 6:00 PM
Introduction from Scott Juengel, Vanderbilt University
1925 Hall Sat, Oct 22, 2022 9:00 PM
1966 Hall Sun, Oct 23, 2022 12:00 PM
1966 Hall Sun, Oct 23, 2022 3:00 PM
1966 Hall Sun, Oct 23, 2022 6:00 PM
1966 Hall Sun, Oct 23, 2022 9:00 PM
1966 Hall Mon, Oct 24, 2022 3:00 PM
1966 Hall Mon, Oct 24, 2022 6:00 PM
1966 Hall Mon, Oct 24, 2022 9:00 PM
Manzler/Webb Screening Room Tue, Oct 25, 2022 3:00 PM
Manzler/Webb Screening Room Tue, Oct 25, 2022 6:00 PM
1966 Hall Tue, Oct 25, 2022 9:00 PM
Manzler/Webb Screening Room Wed, Oct 26, 2022 6:00 PM
1925 Hall Wed, Oct 26, 2022 9:00 PM
1966 Hall Thu, Oct 27, 2022 6:00 PM
1925 Hall Thu, Oct 27, 2022 9:00 PM
1925 Hall Fri, Oct 28, 2022 2:20 PM
1925 Hall Fri, Oct 28, 2022 5:20 PM
1925 Hall Fri, Oct 28, 2022 8:20 PM
Manzler/Webb Screening Room Fri, Oct 28, 2022 10:55 PM
1925 Hall Sat, Oct 29, 2022 2:20 PM
1925 Hall Sat, Oct 29, 2022 5:20 PM
1925 Hall Sat, Oct 29, 2022 8:20 PM
Manzler/Webb Screening Room Sat, Oct 29, 2022 10:55 PM
1925 Hall Sun, Oct 30, 2022 12:20 PM
Manzler/Webb Screening Room Sun, Oct 30, 2022 3:10 PM
1966 Hall Sun, Oct 30, 2022 5:50 PM
Manzler/Webb Screening Room Sun, Oct 30, 2022 9:20 PM
Manzler/Webb Screening Room Mon, Oct 31, 2022 3:10 PM
1966 Hall Mon, Oct 31, 2022 5:50 PM
Manzler/Webb Screening Room Mon, Oct 31, 2022 9:20 PM
1925 Hall Tue, Nov 1, 2022 8:20 PM
Manzler/Webb Screening Room Wed, Nov 2, 2022 5:00 PM
1925 Hall Wed, Nov 2, 2022 8:20 PM
1925 Hall Thu, Nov 3, 2022 5:20 PM
1966 Hall Thu, Nov 3, 2022 9:20 PM
Manzler/Webb Screening Room Fri, Nov 4, 2022 5:30 PM
Manzler/Webb Screening Room Fri, Nov 4, 2022 8:30 PM
Manzler/Webb Screening Room Sat, Nov 5, 2022 5:30 PM
Manzler/Webb Screening Room Sat, Nov 5, 2022 8:30 PM
Manzler/Webb Screening Room Sun, Nov 6, 2022 4:50 PM
Manzler/Webb Screening Room Sun, Nov 6, 2022 7:50 PM
Manzler/Webb Screening Room Mon, Nov 7, 2022 5:20 PM
Manzler/Webb Screening Room Tue, Nov 8, 2022 8:20 PM
1966 Hall Thu, Nov 10, 2022 9:20 PM
Manzler/Webb Screening Room Fri, Nov 11, 2022 5:45 PM
Manzler/Webb Screening Room Sat, Nov 12, 2022 5:45 PM
Manzler/Webb Screening Room Sun, Nov 13, 2022 5:45 PM
Manzler/Webb Screening Room Mon, Nov 14, 2022 5:45 PM
Manzler/Webb Screening Room Wed, Nov 16, 2022 5:00 PM
Manzler/Webb Screening Room Thu, Nov 17, 2022 5:00 PM
Manzler/Webb Screening Room Fri, Nov 18, 2022 4:20 PM
Manzler/Webb Screening Room Sat, Nov 19, 2022 4:20 PM
Manzler/Webb Screening Room Sun, Nov 20, 2022 4:20 PM
Manzler/Webb Screening Room Wed, Nov 23, 2022 4:20 PM
Manzler/Webb Screening Room Thu, Nov 24, 2022 4:20 PM
Manzler/Webb Screening Room Fri, Nov 25, 2022 1:20 PM
Manzler/Webb Screening Room Sat, Nov 26, 2022 1:20 PM
Manzler/Webb Screening Room Sun, Nov 27, 2022 1:20 PM
1966 Hall Mon, Nov 28, 2022 3:25 PM
1966 Hall Mon, Nov 28, 2022 9:10 PM
1966 Hall Thu, Mar 9, 2023 6:00 PM
Manzler/Webb Screening Room Thu, Mar 9, 2023 9:00 PM
Manzler/Webb Screening Room Fri, Mar 10, 2023 9:00 PM

Description

Part of OscaRRR Picks + Best Picture Marathon

Nominated for 3 Academy Awards® including Best Picture, Directing, and Writing (Original Screenplay)

In Ruben Östlund’s wickedly funny Palme d’Or winner, social hierarchy is turned upside down, revealing the tawdry relationship between power and beauty. Celebrity model couple, Carl (Harris Dickinson) and Yaya (Charlbi Dean), are invited on a luxury cruise for the uber-rich, helmed by an unhinged boat captain (Woody Harrelson).

“Ruben Östlund’s takedown of the super-rich…. Plays like Buñuel by way of the Farrelly brothers.” —Philip de Semlyen, Time Out

“If an argument between an American socialist and a Russian capitalist is any indication, subtlety is not the primary aim in this film’s portrayal of class — and it’s a nasty hoot because of it.” —Iana Murphy, Evening Standard

“The thing about Östlund is that he makes you laugh, but he also makes you think. There’s a meticulous precision to the way he constructs, blocks and executes scenes — a kind of agonizing unease, amplified by awkward silences or an unwelcome fly buzzing between characters struggling to communicate.” —Peter Debruge, Variety